hum&sparkhum&spark
‹ Back to Copywriting
Lesson 06 | COPYWRITING

The Rule of One (RIOA)

Strip your copy down to four ones. The discipline behind every great piece.

10 min read

Pick up a great piece of copy | a Patagonia print ad from the 90s, the original Wait But Why "Why I love procrastinating" essay, the Apple iPod launch line "1,000 songs in your pocket" | and you will find one thing in common.

It is doing one thing at a time.

One reader. One idea. One offer. One action.

Most beginner copy fails because it is doing four things badly. The Rule of One is the discipline of doing one thing well.

The four ones

One reader

Not a persona. One real person, with a name and a Tuesday.

One idea

The single insight or claim the piece is built around.

One offer

One thing you're asking the reader to consider buying or signing up for.

One action

The single next step. Click. Reply. Share. Buy.

Write these on a sticky note before you write the copy. Keep the note where you can see it. If, at any point, the piece starts drifting toward a second reader or a second offer, you cut.

Where each "one" comes from

One reader

Pick a person you know. Use their first name. Imagine them reading your copy on their phone, in line at the chemist, half-paying attention.

The temptation is to write for "professionals aged 28–45 with disposable income." That is not a reader. That is a Census category. Census categories don't click.

Pick Anjali. Pick Rohan. Pick the one specific friend who fits the buyer profile most closely. Write to them. The funny thing is | every other Anjali and Rohan in your audience will recognise themselves in the copy too.

One idea

The idea is the thing the piece is asking the reader to believe.

Not three things. One thing.

For the protein-shake brand from the previous lesson, the idea might be: your evening hunger is the 4pm crash, and the fix is a protein gap, not a willpower gap.

Once that idea is locked, every paragraph either supports it or gets cut. There is no place in this piece for a second idea, even a true one. A second true idea belongs in a second piece.

One offer

Most landing pages try to sell three things. The book and the course and the consulting call and the newsletter signup. The reader, faced with four doors, walks out.

Pick one door. Make it the obvious one. The other doors can have their own pages.

If the offer is the book, the page sells the book. The newsletter signup is, at most, a small line in the footer. If the offer is a sales call, the page sells the call. The free PDF is a fallback at the bottom, not a competing primary CTA.

One action

Every great piece has one verb at its end.

Buy. Reply. Click. Subscribe. Apply.

Not buy or reply or click. Pick one. Make the button enormous. Make the rest of the page get out of its way.

If the action is reply to this email, the email ends with a question. If the action is book a call, the page has a calendar embedded in it. If the action is download the template, the page has one form, and that form has one field.

The objection most beginners raise

"But what about the people who aren't ready to buy yet? Don't I lose them if I only have one CTA?"

You don't lose them. You serve them with a different piece. The blog post, the newsletter, the free template, the case study | each one runs the Rule of One on its own scale, with its own reader, idea, offer, action.

The Rule of One does not mean you only ever ask for one thing across your whole funnel. It means each piece, in isolation, asks for one thing.

This is what people mean when they say "good copy is just clear thinking on the page." Clear thinking is one thing at a time.

The Rule of One on a page already written

Take any piece of copy you have ever written.

Write across the top, in four lines:

  1. Reader: ____
  2. Idea: ____
  3. Offer: ____
  4. Action: ____

Try to fill in each one with a sentence | not a paragraph. If you cannot fill in any of the four cleanly, that is the line that is broken in your piece.

If you can't name the reader cleanly, the copy is too generic. Pick one person.

If you can't name the idea cleanly, the copy is making three small claims when it should be making one big one.

If you can't name the offer cleanly, the page is selling too much. Pick one product.

If you can't name the action cleanly, the reader can't either. Pick one verb. Make it the obvious one.

The Rule of One is not a constraint on your creativity. It is the constraint that makes your creativity legible.

Why this rule shows up in every senior copywriter's notes

If you sit next to a senior copywriter and watch them work, you will see them do one thing repeatedly that beginners don't do.

They keep deleting.

They write a brilliant sentence and then realise it's about a second idea. They delete it.

They draft a powerful close and then realise it's pulling toward a second action. They cut the second one and let the first one breathe.

They are not deleting because the writing is bad. They are deleting because the piece is trying to do four things instead of one. RIOA is the test that tells them what to delete.

This is the difference, again, between the ₹15k copywriter and the ₹85k one. The ₹85k one writes less in the final draft. They thought more, then wrote, then cut what didn't serve the four ones.

Try this on Monday

Take a piece you wrote in the last week. Write the four ones at the top of the page. If any of the four can't be filled in with a single short sentence, rewrite the piece around the one that can. Don't add anything new. Just cut what doesn't serve the reader, the idea, the offer, or the action.

If you remember nothing else

One reader. One idea. One offer. One action. The four ones. Write them down before you write the piece. Cut what doesn't serve them.


The Fundamentals of Writing to Sell
Continue with the book

Want the whole chapter, with worked examples and prompts?